Thomas Ling Photography

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	<title>Thomas Ling Photography</title>
	<link>https://thomasling.com.au</link>
	<description>Thomas Ling Photography</description>
	<pubDate>Thu, 08 Jan 2026 01:30:12 +0000</pubDate>
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		<title>Info / CV</title>
				
		<link>https://thomasling.com.au/Info-CV</link>

		<pubDate>Wed, 20 Apr 2022 03:06:09 +0000</pubDate>

		<dc:creator>Thomas Ling Photography</dc:creator>

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Thomas is a photographer, artist, and educator based in the coastal town of Port Elliot, South Australia, an hours drive from Adelaide. His practice spans commercial photography, including music, fashion, events, and corporate work, while his personal projects focus on observational storytelling.


His work increasingly explores themes of escapism, leisure, community, and the human relationship to space, place, and meaning. Through a documentary-led approach, Thomas is interested in moments of pause, connection, and quiet tension within contemporary life. In recognition of this work, in 2025 he was a finalist in the Bowness Photography Prize, Australia’s richest photography prize, with the work exhibited at the Museum of Australian Photography (MAPh).


Alongside his visual practice, Thomas has written pieces spanning across music, travel, surf, and wellbeing genres. His writing has appeared in publications including WILD Magazine, Wasted Talent Magazine, Huck Magazine, Surf Visuals Magazine, and Pilerats.. Thomas works professionally as a SACE Photography and Design teacher and Wellbeing Coordinator. In 2021, he co-founded The Spray Room Gallery in Adelaide with Jack Fenby, where they curated a diverse program of exhibitions over two years. 


Passionate about print media, Thomas has released a range of photographic zines. in 2022 he self published his first photobook ‘Carpark Stories’ and in 2025 he self published ‘Hart Avenue’.&#38;nbsp;
m. +61 434 884 939e. thomas.ling@outlook.com
© All photographic content on this site is protected under copyright law and is the property of Thomas Ling. 2026


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	PUBLISHED WORK AND ONLINE FEATURESWILD Magazine / Huck Magazine / Brixton / Meanwhile Press / Sticks and Stones / Wasted Talent Magazine / Fleurieu Living Magazine / Meanwhile Press / Bayou Film Annual / Surf Visuals Magazine / Paper Sea Magazine / Summersite / Almost Real / Pilerats / Tight Blue Jeans / Rangoe Magazine / Feud Mag / Altair Zine / Culture Club MagazineWRITTEN WORKThomas has written across genre's relating primarily to music, travel, surf, and wellbeing.WILD Magazine, Wasted Tallent Magazine, Huck Magazine, Surf Visuals Magazine, Pilerats, Savage ThrillsCLIENTS INCLUDEBrixton / Yeo Haus / Salty Reign / Sokoloff lingerie / Luna Wolf / Vintage / Swirl Records / PAK Music / Daybed Records / The Porch Sessions / Porch Records / University of South Australia / Corduroy Production / Laneway Festival / Monkeyhouse Festival / Beers at Our Place Festival / Field Good Festival / Etikette / Summertown Studio / Beach Burrito / Adelaide Festival / Haus Collage and Stoneware / Hither and Yon&#38;nbsp;EXHIBITIONS2025 - Bowness Photography Prize finalise exhibition, Museum of Australian Photography (MAPh), Monash, Victoria.&#38;nbsp;
2025 - Mirage - solo exhibition for SALA, Hither &#38;amp; Yon, Willunga.&#38;nbsp;
2025 - Inhabit - group exhibition, F-Stop magazine, online.&#38;nbsp;
2025 - Hart Avenue - solo exhibition and book launch, Yeo Haus, Port Elliot.

2024 - Affordable Art Salon, group exhibition, Staff Only Gallery, Adelaide, Australia2024 - Museum of Australian Photography (MAPh)
Look! Group exhibition, Melbourne, Australia.

2024 - Near Far - A photographic archive, group exhibition, Staff Only Gallery, Adelaide, Australia

2023 - Hart Avenue, solo exhibition across multiple galleries, Royal Adelaide Hospital, Australia.&#38;nbsp;
2023 - Museum of Australian Photography (MAPh)
Look! Group exhibition, Melbourne, Australia.

2023 - Six Faces South, group exhibition, Good Bank Gallery, McLaren Vale, Australia.&#38;nbsp;
2023 - Hillvale Photo Trophy, open call exhibition, Hillvale Gallery, Melbourne, Australia.&#38;nbsp;
2022 - Real Life, group exhibition and zine release, The Spray Room Gallery, Adelaide, Australia.
2022 - Surf Photo Show, group exhibition at Good Bank Gallery, McLaren Vale, South Australia.
2022 - Carpark Stories, exhibition and book launch at The Spray Room Gallery, Adelaide, Australia.
2022 - Who let the flies out, group exhibition at Good Bank Gallery, McLaren Vale, South Australia.2022 - 2021 Illford CCP Salon, Center for Contemporary Photography, Melbourne, Australia.2022 - Strange Days, group exhibition and Yeo Haus, Port Elliot, South Australia.2022 - memory/OFF, group exhibition at Goodspace Gallery, Chippendale, Sydney, Australia.2021 - Curated Lily Pook-Ryan / Mickey Mason ‘Jungle’ exhibition at the Spray Room Gallery, Somerton Park, South Australia.2021 - Co-curated Opening Group Show at the Spray Room Gallery, Somerton Park, South Australia.2020 - 'Luxury' group show at Chateau Apollo, Adelaide, SA2020 - A Band Room Exhibition, group show at The Crown and Anchor, Adelaide, South Australia.2019 - 'Soft Noise' exhibition at Yeah, Nice Gallery Mullumbimby, NSW2019 - 'Funhaus' exhibition and zine launch at Yeo Haus Shop of Gentle Goods, Port Elliot, SA2019 - 'Not Music,' group show supporting the Ethanol Blend's album launch at Beach Burrito, Adelaide, SA2018 - 'Occupied,' solo exhibition at Good Day, Adelaide, SA2015 - Select images featured as part of Meanwhile Press' 'Hard Lines' group exhibition, LondonAWARDS/RECOGNITION
2025 - Museum of Australian Photography (MAPh) Bowness Photography Prize finalist &#38;nbsp;
2024 - Museum of Australian Photography (MAPh)
Look! finalist
2023 - Museum of Australian Photography (MAPh)
Look! documentary winner.&#38;nbsp;

2022 - Illford CCP Salon Selected Highlights2022 - Illford CCP Salon selected for 10th print edition of Melbourne Milieu by Adam Harding.2021 - Goolwa Art and Photography Competition - Traditional Open Winner2018 - Surfvisuals Photo Comp Finalist2016 - I.P.F Photo Prize Shortlist


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		<title>Weddings</title>
				
		<link>https://thomasling.com.au/Weddings</link>

		<pubDate>Thu, 08 Jan 2026 01:30:12 +0000</pubDate>

		<dc:creator>Thomas Ling Photography</dc:creator>

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	Every wedding is unique and every wedding has story to tell. It’s this tapestry of moments that defines the day. My narrative approach to photography allows me to tell these stories.
I’m based between Adelaide and the coastal town of Port Elliot. My wedding packages consist of all day coverage, as well as smaller offerings to cater to whatever you need. Let’s chat about what offerings can best suit you. 
Having worked with film for over a decade, I can also offer the option analog 35mm film coverage for a nostalgic, intimate feel.&#38;nbsp;Please email me for all package information, or any general&#38;nbsp; questions.
thomas.ling@outlook.com

	
"One of the best decisions we made for our wedding day was asking Tom to capture it. His relaxed nature puts everyone at ease, which was beautiful energy to have present. His passion and giftedness for photography speaks for itself in his images. He did not need to orchestrate complex photos, but instead captured the simple things - light bouncing off leaves, a smile shared across the room between friends, a breeze catching the dress. Tom captured the essence of our experience perfectly. Being around someone doing something that they're passionate about is also inspiring, which is something we experienced in it's entirety when Tom captured our special day. We can't thank him enough."

	
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</description>
		
	</item>
		
		
	<item>
		<title>People</title>
				
		<link>https://thomasling.com.au/People</link>

		<pubDate>Wed, 04 Dec 2019 11:51:27 +0000</pubDate>

		<dc:creator>Thomas Ling Photography</dc:creator>

		<guid isPermaLink="true">https://thomasling.com.au/People</guid>

		<description>&#38;nbsp;// People 
&#60;img width="3508" height="1449" width_o="3508" height_o="1449" data-src="https://freight.cargo.site/t/original/i/497b6af00b4ee46b03225ee1658299720a3cfa4e25089bf73a2a6dc27063854d/Morgan-Web.jpg" data-mid="137036746" border="0"  src="https://freight.cargo.site/w/1000/i/497b6af00b4ee46b03225ee1658299720a3cfa4e25089bf73a2a6dc27063854d/Morgan-Web.jpg" /&#62;
&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/acf772a43a09dc5f23f49a7f42e136fd5c332787b856d0e16c4113f7ba5df410/DSCF3103_o.jpg" data-mid="137036747" border="0"  src="https://freight.cargo.site/w/1000/i/acf772a43a09dc5f23f49a7f42e136fd5c332787b856d0e16c4113f7ba5df410/DSCF3103_o.jpg" /&#62;
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&#60;img width="3400" height="5128" width_o="3400" height_o="5128" data-src="https://freight.cargo.site/t/original/i/c829d5e5f1993481058e2cfa23956935a2c9ff410a1b3a0fed76f494180f5952/000051580024_edit.jpg" data-mid="137036745" border="0"  src="https://freight.cargo.site/w/1000/i/c829d5e5f1993481058e2cfa23956935a2c9ff410a1b3a0fed76f494180f5952/000051580024_edit.jpg" /&#62;
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&#60;img width="3438" height="2585" width_o="3438" height_o="2585" data-src="https://freight.cargo.site/t/original/i/1f95b8b6c73ab6ba9e774cf78e9e6b6422e84971ee8d25c5836f600e4356c158/Whitney-web.jpg" data-mid="137036750" border="0"  src="https://freight.cargo.site/w/1000/i/1f95b8b6c73ab6ba9e774cf78e9e6b6422e84971ee8d25c5836f600e4356c158/Whitney-web.jpg" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>Music</title>
				
		<link>https://thomasling.com.au/Music-1</link>

		<pubDate>Wed, 20 Apr 2022 04:04:56 +0000</pubDate>

		<dc:creator>Thomas Ling Photography</dc:creator>

		<guid isPermaLink="true">https://thomasling.com.au/Music-1</guid>

		<description>// Music


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</description>
		
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	<item>
		<title>soft noise. - Exhibition / Publication</title>
				
		<link>https://thomasling.com.au/soft-noise-Exhibition-Publication</link>

		<pubDate>Sat, 21 Dec 2019 06:55:15 +0000</pubDate>

		<dc:creator>Thomas Ling Photography</dc:creator>

		<guid isPermaLink="true">https://thomasling.com.au/soft-noise-Exhibition-Publication</guid>

		<description>
	Soft Noise.&#38;nbsp;— A photography exhibition and zine launch at Yeah Nice, Gallery - Byron Bay.&#38;nbsp;
The world shapes perception, not the other way around. Externalism. Consciousness not only existing due to the function of the nervous system, but in harmony with, and as a product of everything around us. Living in a way that is immersed in action and meaning.
The images expressed throughout this body of work span from Portugal, to remote South Australia, to the Eastern most point of Australia. They are an ode to leisure, a visual stream of consciousness that exists out of a constant search for fleeting moments in time and space that give purpose to existence. A sense of escapism from the noise of expectation and stimulation.
Soft Noise photo essay featured in Wild Magazine, volume 1.&#38;nbsp;
Sold out.&#38;nbsp;250gsm cover150gsm matt art paper internals32pp2019A5


	&#60;img width="3508" height="2182" width_o="3508" height_o="2182" data-src="https://freight.cargo.site/t/original/i/7df67a22d33b8a39da5155ba728312b1b45ba618e43c9a698684e6aa793adf28/Website-Banner.jpg" data-mid="137037047" border="0"  src="https://freight.cargo.site/w/1000/i/7df67a22d33b8a39da5155ba728312b1b45ba618e43c9a698684e6aa793adf28/Website-Banner.jpg" /&#62;
 

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&#60;img width="3858" height="5817" width_o="3858" height_o="5817" data-src="https://freight.cargo.site/t/original/i/e2d842f47cbeb1bdd0d57bee60a4956910adcbad2a5be1a7ee14bd36d0e718e9/Yeah-Nice-12_editsmall.jpg" data-mid="140221004" border="0"  src="https://freight.cargo.site/w/1000/i/e2d842f47cbeb1bdd0d57bee60a4956910adcbad2a5be1a7ee14bd36d0e718e9/Yeah-Nice-12_editsmall.jpg" /&#62;
&#60;img width="2408" height="3600" width_o="2408" height_o="3600" data-src="https://freight.cargo.site/t/original/i/eac048f2b12d1429be394d26da25c7c10ad45f80f1da1c052144c42043aa9825/Yeah-Nice-3_editsmall.jpg" data-mid="140220998" border="0"  src="https://freight.cargo.site/w/1000/i/eac048f2b12d1429be394d26da25c7c10ad45f80f1da1c052144c42043aa9825/Yeah-Nice-3_editsmall.jpg" /&#62;
&#60;img width="5561" height="3689" width_o="5561" height_o="3689" data-src="https://freight.cargo.site/t/original/i/368a27d4c9a8dc2ab1548558f8cd47fbd5e90b281d8beb91c590579eada68184/Yeah-Nice-13_editsmall.jpg" data-mid="140221005" border="0"  src="https://freight.cargo.site/w/1000/i/368a27d4c9a8dc2ab1548558f8cd47fbd5e90b281d8beb91c590579eada68184/Yeah-Nice-13_editsmall.jpg" /&#62;
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&#60;img width="3214" height="2143" width_o="3214" height_o="2143" data-src="https://freight.cargo.site/t/original/i/43907bf624b532fa5ec8c7698bcc70e734199c1f10aacf51cb0cdbf36468750f/Yeah-Nice-9_editsmall.jpg" data-mid="140221002" border="0"  src="https://freight.cargo.site/w/1000/i/43907bf624b532fa5ec8c7698bcc70e734199c1f10aacf51cb0cdbf36468750f/Yeah-Nice-9_editsmall.jpg" /&#62;
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&#60;img width="3720" height="5610" width_o="3720" height_o="5610" data-src="https://freight.cargo.site/t/original/i/cef10a06c33a8658bb7c004f2122a1448fd31a0da19825ac205bf89e264210e2/Yeah-Nice-21_editsmall.jpg" data-mid="140221010" border="0"  src="https://freight.cargo.site/w/1000/i/cef10a06c33a8658bb7c004f2122a1448fd31a0da19825ac205bf89e264210e2/Yeah-Nice-21_editsmall.jpg" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>Hart Avenue / Exhibition </title>
				
		<link>https://thomasling.com.au/Hart-Avenue-Exhibition</link>

		<pubDate>Sun, 26 Nov 2023 01:58:18 +0000</pubDate>

		<dc:creator>Thomas Ling Photography</dc:creator>

		<guid isPermaLink="true">https://thomasling.com.au/Hart-Avenue-Exhibition</guid>

		<description>
	Hart Avenue.&#38;nbsp;— A photography exhibition across Gallery E and Gallery F at the Royal Adelaide Hospital. (2023-2024)
— An exhibition and book launch at Yeo Haus Refreshment Centre Port Elliot (2025)Hart Avenue initially started as an exploration of the largely
undocumented presence of mid-century architecture in a small coastal town,
which then slowly transitioned into a personal study of re-connection in the
presence of change. Lockdowns resulted in a move to my hometown by the coast
for 12 months, the first significant amount of time spent there in 10 years.
This body of work is an attempt at creating a tapestry of imagery that honestly
documents the many facets of this small, sleepy coastal environment, amidst a
newfound respect for the beauty of a place that has come with a change in
personal values. It is equal parts an examination of my own relationship with
Encounter Bay, as it is a canvas for a photographic study, constantly looking
inwards where the process of creating the work is more important than the work
itself. Taking influence from the new topographic and new objectivity
movements, Hart Avenue considers the meditative process of photography, whilst
also acknowledging the need to document this place in time amongst a rapidly
changing cultural and economic environment.
&#60;img width="3931" height="3931" width_o="3931" height_o="3931" data-src="https://freight.cargo.site/t/original/i/e0ec85a0b53e2b862aeff92b4ff87876c63c45dadd2577223e6dd50ab14400aa/Hart-Ave_books_square-3.jpg" data-mid="225659294" border="0"  src="https://freight.cargo.site/w/1000/i/e0ec85a0b53e2b862aeff92b4ff87876c63c45dadd2577223e6dd50ab14400aa/Hart-Ave_books_square-3.jpg" /&#62;
&#60;img width="3884" height="3884" width_o="3884" height_o="3884" data-src="https://freight.cargo.site/t/original/i/d61e1aeb2eb2bf1c0333b1a14f9845cc6ce254ea703843aca2c6f67a385cae34/Hart-Ave_books_square-5.jpg" data-mid="225659296" border="0"  src="https://freight.cargo.site/w/1000/i/d61e1aeb2eb2bf1c0333b1a14f9845cc6ce254ea703843aca2c6f67a385cae34/Hart-Ave_books_square-5.jpg" /&#62;&#60;img width="3714" height="3714" width_o="3714" height_o="3714" data-src="https://freight.cargo.site/t/original/i/ae04a507da7d72e6f88498138148e96a9e3699bea02c92d7be7f22e3e95dbc86/Hart-Ave_books_square-4.jpg" data-mid="225659295" border="0"  src="https://freight.cargo.site/w/1000/i/ae04a507da7d72e6f88498138148e96a9e3699bea02c92d7be7f22e3e95dbc86/Hart-Ave_books_square-4.jpg" /&#62;
Books available at Yeo Haus Port Elliot, Summertown Studio Somerton Park, or via email.&#38;nbsp;


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Video profile By Bon-e

Interview via Hung Supply&#38;nbsp;
THOMAS LING'S LATEST EXHIBITION, HART AVENUE, INITIALLY EMBARKED ON A VISUAL EXPLORATION OF MID-CENTURY ARCHITECTURE IN A SERENE COASTAL TOWN. HOWEVER, AS LOCKDOWNS REDIRECTED LING TO HIS HOMETOWN FOR AN EXTENDED STAY AFTER A DECADE AWAY, THE PROJECT MORPHED INTO A PERSONAL JOURNEY OF REDISCOVERY AMIDST CHANGE.
Hart Avenue unfolds as a captivating narrative highlighting the under-appreciated beauty of a small coastal town. Ling's lens captures the subtle dance between the town's sleepy charm and the artist's evolving connection with Encounter Bay, offering viewers an intimate look into the interplay of time and personal values.On the eve of his exhibition, we caught up with Thomas to explore the question of whether 'home really is where the h̶e̶a̶r̶t̶&#38;nbsp;Hart is.

Hey Thomas, great to catch up. Are you currently located on Hart Avenue? 

No, I’m not at the moment. I grew up just around the corner but I’m currently living in the city, about an hour away, with plans to move permanently back down south next year. Hart Avenue is actually a street that really inspired me in the making of this project. It was an unsealed dirt road in the middle of a suburban area, with grass lining either side and a line of mid-century houses that spilled onto the street. If you didn’t look around it felt like you were taking a step back in time. 
Tell us a bit more about yourself and your creative background. 

I’ve been photographing for the last 10 years or so. I studied photography in high school and fell in love with it. It started as a hobby when I found one of dad’s old SLR’s to get repaired, by then we were well and truly in the digital revolution. I became fascinated with the strange, tangible nature of film, the whole idea of having to focus on what you were making, then the apprehensive excitement when you got the roll developed. It became a tool to help me document surf trips and travels, and it helped me to explore and understand the places I visited. From there I had mates who started playing in bands, and I delved pretty hard into photographing the music scene, amongst a whole range of other things. Through this I’ve always been really curious about longer form projects and ideas that photography gives voice to, and different ways of presenting work through zines, books, and exhibitions. Outside of working as a photography and design teacher, this is where most of my energy now goes. 
Let's dive into your latest project and exhibition, Hart Avenue. Can you please share more details about the project? 

Hart Avenue initially started as an exploration of the largely undocumented presence of mid-century architecture in a small coastal town, which then slowly transitioned into a personal study of re-connection to my home town in the presence of change. Lockdowns resulted in a move to my hometown by the coast for 12 months, the first significant amount of time spent there in 10 years. When I moved back, I started going for a walk most nights, always trying to go down a different street to see something new. This body of work is an attempt at creating a tapestry of imagery that honestly documents the many facets of this small, sleepy coastal environment, amidst a newfound respect for the beauty of the location. It is equal parts an examination of my own relationship with Encounter Bay, as it is a meditative canvas for a photographic study. 
Where were you residing before this? 

We were living in Somerton Park, a coastal suburb of Adelaide. It’s beautiful, sunny, warm, and not too far from fun waves. 
How was it returning home after a decade away? 

It was a great place to grow up but for a while when I was younger, but did feel like one big retirement village. I reached a point where I was really keen to get out. I’m always back and forth between the coast and the city, but it’s always been pretty transient. Returning home during Covid was strange, initially. Maybe it was the chaos of everything going on, but I found the process of rediscovering the place I’d grown up really rewarding. Perhaps, due to Covid, it was because we had an excuse to be much less busy. But, I found the 12 months back there really calming, like I was seeing the space from a whole new perspective.
It sounds like your personal values shifted during your time in lockdown and working on the project. Can you elaborate on the values you let go of and what came into focus? 

I think I had recognised how beautiful Encounter Bay was, and maybe due to maturity, how my perspective had changed. I’d started to notice so many more nuances of the place. I became really interested in the history, and I began to notice the layers of a country town that are central to the culture itself. We’d also purchased a block of land, and had slowly started the process of building our own world down there. This was also during a period of rapid growth in house prices, and I recognised real concern for the people who were residents becoming priced out of the place they called home. 
When documenting a small, sleepy town, you must become familiar, and even close, with its inhabitants. Are there any particular characters that stood out to you during your time pulling together your body of work? 

I love hanging out by the jetty in the afternoon. The lighting is great, it’s often protected from the wind and the variety of characters fishing is great. There’s one group of fisho’s, who I’ve seen down there heaps before, who I recognised could all do sign language so they could communicate with their one mate who was deaf. It was a real reality check you know, you kind of have assumptions sometimes with crusty old fisho crew, and I was blown away by how core it was that they’d all learnt this so that their deaf friend could be included. 
That's so awesome and inspiring. I love that sense of community. How did these individuals influence or contribute to your project?

I think it really helped to reiterate the idea that beneath any Australian regional area, suburb, or town, it is the people that are at the centre of the culture. The characters are what makes a place interesting. I guess I also felt that, amongst so much change, I wanted to make sure I’d documented what this culture looked like as it continues to work through a process of gentrification. 

What's the strangest thing you've encountered in Encounter Bay?&#38;nbsp;

It’s not so much something I’ve encountered, but it’s more the fact that after seeing the place change over the last 15 years it is still so seasonal. Summers are crazy, for example, people having to park their boat trailers 2km’s down the road from the boat ramp because there’s no parks. Whereas in winter, you can surf by yourself or go out for a meal with only a couple of other tables occupied. This is slowly changing, maybe we shouldn’t tell too many people. 
I noticed you shoot mostly in black and white. Could you share the reasons behind this choice? What's your go-to camera set-up / film stock? 

I mostly shoot with a Contax G2 using Kodak Tri-X 400 film stock. I’m not a super tech guy, when I find something that works I like to stick to it. I am somewhat of a traditionalist with my photography, and I’ve always been inspired by early American photographers like Garry Winograd and Lee Friedlander as well as more contemporary photographers like Ed Templeton and the whole Magnum team. I’ve also been inspired by early black and white surf photography by legends like John Witzig, as well as music photography from the punk scene. The more I shoot B&#38;amp;W, the more I see the world in shapes and shadows, I love that it strips away the distraction of colour. 
What else do you point your lens at? 

I shoot a number of events and weddings throughout the year, as well as some studio work. I’m not doing it as much anymore, but I still shoot some gigs throughout the year, and I always get such a buzz! Outside of this I have a few loose documentary projects on the go. 

Hart Avenue is exhibiting at the Royal Adelaide Hospital. How did this come about, and can you please tell us more about the Creative Health program?

The Creative Health program run by the Hospital Research Foundation Group aims to improve the quality and experience of healthcare through art and design. I actually studied Health Science, and work as a high school Wellbeing Coordinator alongside my role as a design and photography teacher. When I saw the program, I put my hand up immediately. I understand how challenging the health system can be to navigate, and how sterile this environment can be, especially for patients experiencing long term stints in hospital. This was a really great opportunity for my artistic and professional work to co-exist. 

What are you working on next? 

Once Hart Avenue wraps up at the Royal Adelaide Hospital, I’m keen to bring it down to the coast and have a second iteration of the exhibition show where it’s more accessible to the people who inspired the work. That’s on the cards at the moment, maybe even a zine to accompany the exhibition. I’ve also got years of work documenting the surf scene of the West Coast of SA, which I’d love to bring to fruition eventually. This is an ongoing project with no end in sight.
Where's the best place to grab a beer in Encounter Bay? 

Beach House Café for sure. Ask Ray for a Bluff Beer. 

Hart Avenue opens at the Royal Adelaide Hospital (Gallery E &#38;amp; F) this Friday the 8th of December. Check out more of Thomas' work, here and give him a follow on IG: @_brotherfish.


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	<item>
		<title>ARE WE HAVING FUN YET - Publication</title>
				
		<link>https://thomasling.com.au/ARE-WE-HAVING-FUN-YET-Publication</link>

		<pubDate>Sun, 14 May 2017 06:21:14 +0000</pubDate>

		<dc:creator>Thomas Ling Photography</dc:creator>

		<guid isPermaLink="true">https://thomasling.com.au/ARE-WE-HAVING-FUN-YET-Publication</guid>

		<description>
	
	
 ARE WE HAVING FUN YET— 36pp photography zine A collection of contrasts from six months driving throughout Western Europe - contact for purchase.
Sold out.&#38;nbsp;&#38;nbsp;

250gsm cover115gsm matt art paper internals36pp2017A5


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		<title>HOME - Exhibition / Publication</title>
				
		<link>https://thomasling.com.au/HOME-Exhibition-Publication</link>

		<pubDate>Wed, 20 Apr 2022 03:06:07 +0000</pubDate>

		<dc:creator>Thomas Ling Photography</dc:creator>

		<guid isPermaLink="true">https://thomasling.com.au/HOME-Exhibition-Publication</guid>

		<description>HOME&#38;nbsp;
— 34pp photography zine&#38;nbsp;The simplicity of existence outside of social and cultural epicentres can be haunting or rejuvenating. For many who have grown up by the seaside away from the city, the quietness of home leaves its mark like a childhood scar.This collection of photographs is an examination of the different ideals and emotions that continue to draw people back to life by the coast.Available for purchase online via email or in store at:Yeo Haus Shop of Gentle Goods - Port Elliot, SA.Summertown Studios - Somerton Park, SA.
Launch and exhibition at Yeo Haus Shop of Gentle Goods, Port Elliot, SA.Sold Out&#38;nbsp;

300gsm cover
140gsm recycled uncoated internals
34pp
2019A5&#60;img width="3508" height="4961" width_o="3508" height_o="4961" data-src="https://freight.cargo.site/t/original/i/ad4d28b3051278460492d5efaa09d7dad55752e7b159360c471c5a1cf524f7c8/HOME-Poster_3508.jpeg" data-mid="140119238" border="0"  src="https://freight.cargo.site/w/1000/i/ad4d28b3051278460492d5efaa09d7dad55752e7b159360c471c5a1cf524f7c8/HOME-Poster_3508.jpeg" /&#62;


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		<title>Ethanol Blend - Anodised - Publication</title>
				
		<link>https://thomasling.com.au/Ethanol-Blend-Anodised-Publication</link>

		<pubDate>Fri, 22 Apr 2022 06:52:17 +0000</pubDate>

		<dc:creator>Thomas Ling Photography</dc:creator>

		<guid isPermaLink="true">https://thomasling.com.au/Ethanol-Blend-Anodised-Publication</guid>

		<description>
	Anodised Zine— Accompanying the release of Anodised by the Ethanol BlendAvailable via Daybed Records.&#38;nbsp;

Tom would like to thank Jack, Dale, Zac and Alex for always putting me on the door to take photographs, and to Tom, Jack and Chris from Daybed Records for letting this zine happen. 


Photographs by Thomas Ling


Artwork and Design by Thomas Ling


Front and back cover artwork by Henry Jock


All photographs taken in and around Adelaide from 2019-2022.


© Daybed Records 2022120gsm recycled uncoated bond44pp2017A5


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		<title>Carpark Stories - Book / Exhibition </title>
				
		<link>https://thomasling.com.au/Carpark-Stories-Book-Exhibition</link>

		<pubDate>Sat, 06 Aug 2022 02:12:57 +0000</pubDate>

		<dc:creator>Thomas Ling Photography</dc:creator>

		<guid isPermaLink="true">https://thomasling.com.au/Carpark-Stories-Book-Exhibition</guid>

		<description>
	Carpark Stories— Book launch at exhibition at The Spray Room Gallery, Adelaide.&#38;nbsp;

The Spray Room is excited to host ‘Carpark Stories’ - An exhibition and launch of Thomas Ling’s first photo book. ‘Carpark Stories’ is a 74-page photo book that is the result of three years of photographing across Australia. It has been self-published in collaboration with The Spray Room.“A zoo of the anthropomorphic variety, there is nothing quite as diverse as a car park. A means to an end and a launch pad to adventure, a commune of the beginning and end. A home of eager souls ready to face the world. We all know of the exploits between parking our cars and driving off again, but we rarely give any credit to the tarmac that allows these journeys to take place, the open-air temple of adventure that is the car park.

Whether we know it or not, the&#38;nbsp;beginning of the best journeys in&#38;nbsp;life takes place as we step out of&#38;nbsp;our vehicles and onto the tarmac,&#38;nbsp;gravel or dirt. It is a place of&#38;nbsp;discussion, planning and mystery&#38;nbsp;as we prepare ourselves to face&#38;nbsp;the fruits of our imagination.&#38;nbsp;
The creatures of car parks are&#38;nbsp;rarely without intention, so many&#38;nbsp;carry the look of ambition and&#38;nbsp;desire in their eyes. A feeling of&#38;nbsp;unease and restlessness often&#38;nbsp;permeates the surrounds carried&#38;nbsp;by the miasma of heated&#38;nbsp;pavement and car exhausts. Tall&#38;nbsp;tales of perfect rides, giant fish&#38;nbsp;and unwanted encounters, an&#38;nbsp;almost religious mysticism.&#38;nbsp;
A mysticism captured by&#38;nbsp;Thomas, a car park priest who&#38;nbsp;carries an analogue camera in&#38;nbsp;place of a Bible, capturing the&#38;nbsp;moments of culture and awe,&#38;nbsp;painting his own symbolic story.&#38;nbsp;The book of car parks.”
- Foreword by Mickey MasonThomas Ling is a practicing photographer, artist, and educator. He has exhibited his personal work locally and abroad, including most recently at Yeah Nice Gallery (Byron Bay) and Goodspace Gallery (Sydney). Working with young people as a health and wellbeing teacher, and a design and photography educator, he finds his skills and passion intersect in the classroom, inspiring and collaborating with future generations of artists and photographers. 


Available via The Spray Room and Summertown Studio&#38;nbsp;


Self Published in collaboration with 
The Spray Room, Adelaide, South Australia.

thesprayroom.com.au


Photographs and design © Thomas Ling 2022


Foreword by Mickey Mason
Reproduction of any parts without permission prohibited


ISBN: 978-0-646-86080-0


All photographs between 2019-22
First Edition


300gsm recycled uncoated bond75pp2022A5


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